Tearoom Lounge Chair, High Back
Tearoom Lounge Chair, High Back
Designer Nick Ross
Designer Nick Ross
SKU 71113-002889
Complete with:
Tearoom Lounge Chair
High Back
Tearoom Lounge Chair
High Back
The high back version of the Tearoom Lounge Chair offers moments of quiet contemplation in busy spaces. Expressive and elegant, the secluded, foam-filled furniture piece rests on a wooden base for a natural contrast to the upholstered seat. The addition of a USB port and power socket at the base makes it a practical spot for work as well as play.
USB power outlets cannot be added after purchasing a lounge chair without a power outlet.
Height
47.24 in
Width
35.04 in
Depth
28.7 in
Specifications
Materials
foam flex and upholstery
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Oversized Returns
We cannot accept returns on this item or other oversized/bulky furniture and large lighting items due to their large and to-order nature.
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Audo Bouclé 02
With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.
1 2 3 4 5
CAL 117
60.000
4-5
5-6
Beige
51% Polyacrylic, 31% Viscose, 18% Polyester
Audo
Colors:
With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.
1 2 3 4 5
CAL 117
60.000
4-5
5-6
Yellow
51% Polyacrylic, 31% Viscose, 18% Polyester
Audo
Colors:
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:





MEET THE DESIGNER
Nick Ross
Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.

