Loose Cover for Tearoom Chair, Without Swivel
Loose Cover for Tearoom Chair, Without Swivel
Designer Nick Ross
Designer Nick Ross
SKU 71233-007515
Complete with:
Loose Cover for Tearoom Chair
Without Swivel
Loose Cover for Tearoom Chair
Without Swivel
The loose cover for the Tearoom Club Chair brings both elegance and practicality to the popular furniture design. The durable and soft wool-blend Logan bouclé has a subtly structured surface and is machine washable, allowing for easy care and maintenance and extending the chair’s life while preserving its original look. The tailored fit allows for easy updates, letting you refresh the Club Chair with one of three timeless neutral shades that complement any interior style. This is only a cover; it can be applied over a tearoom chair with any upholstery applied. The cover features zippers for a more secure and tailored fit.
Club Chair H: 30.71 in W: 31.50 in D: 22.83 in Lounge Chair H: 30.71 in W: 35.04 in D: 27.56 in SH: 17.32 in
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Standard Returns
Standard items can be returned within 30 days for refund. Please contact us at us.shop@audocph.com before shipping any returns, as you will need an RMA number.
We cannot accept returns on oversized/bulky furniture and large lighting items due to their large and to-order nature. Items found in our Special Offers collection are final sale and cannot be returned.
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Logan Jasmine
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Sand
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Flint
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:



MEET THE DESIGNER
Nick Ross
Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.

