Tearoom Swivel Chair, With Return
Tearoom Swivel Chair, With Return
Designer Nick Ross
Designer Nick Ross
SKU 71113-002929
Complete with:
Tearoom Swivel Chair
With Return
Tearoom Swivel Chair
With Return
Designer Nick Ross demonstrates the potential of simple, geometric forms and cocooning comfort with his Tearoom Collection for Audo. The generously proportioned Tearoom Lounge Chair, Swivel with return features a 190° rotating recessed plinth base that turns to face any direction with ease. The wide, low seat and embracing form with an upright back ensure its beauty, function and comfort in both classic and contemporary spaces – from home living rooms to exclusive hotels to modern workspaces.
Materials
Plywood, HR Foam construction, webbing/belts, foam flex and upholstery
Free Large Item Shipping on Orders Over $100
Oversized Returns
We cannot accept returns on this item or other oversized/bulky furniture and large lighting items due to their large and to-order nature.
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The solid-hued upholstery fabric impresses with its adaptability, durability and luxurious texture. In a palette of beautiful colours, the sophisticated velvet upholstery fabric provides myriad opportunities for enhancing furniture and interiors.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1), Crib 5 (BS5852-5)
70.000
3
5
Yellow
100% Polyester
JAB
Colors:
Audo Bouclé 02
With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.
1 2 3 4 5
CAL 117
60.000
4-5
5-6
Beige
51% Polyacrylic, 31% Viscose, 18% Polyester
Audo
Colors:
Audo Bouclé 06
With its distinctive appearance, Audo Bouclé is characterised by its looped yarns that create a textured, three-dimensional surface. Soft, warm and durable, it is available in a range of beautiful muted colours.
1 2 3 4 5
CAL 117
60.000
4-5
5-6
Yellow
51% Polyacrylic, 31% Viscose, 18% Polyester
Audo
Colors:
Logan Jasmine
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Sand
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Flint
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:






MEET THE DESIGNER
Nick Ross
Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.

