Loose Cover for Tearoom Chair, With Swivel
Loose Cover for Tearoom Chair, With Swivel
Designer Nick Ross
Designer Nick Ross
SKU 71234-007524
Complete with:
Loose Cover for Tearoom Chair
With Swivel
Loose Cover for Tearoom Chair
With Swivel
The loose cover for the Tearoom Lounge Chair with Swivel introduces a fresh take on traditional wool bouclé, in a washable cotton-wool blend with a structured look and a super-soft feel. Enhancing the contours of the chair, the removable cover is available palette of three timeless neutrals that each add sophistication without overpowering—and help to prolong the life of the design and easily update its look with minimal effort. This is only a cover; it can be applied over a tearoom chair with any upholstery applied. The cover features zippers for a more secure and tailored fit.
Lounge H: 30.71 in SH: 16.93 in W: 28.54 in D: 27.56 in Club H: 30.71 in SH: 18.50 in W: 23.62 in D: 22.83 in
Materials
Plywood, HR Foam construction, webbing/belts, No-sag springs, foam flex and upholstery
Free Shipping on Orders Over $100
Standard Returns
Standard items can be returned within 30 days for refund. Please contact us at us.shop@audocph.com before shipping any returns, as you will need an RMA number.
We cannot accept returns on oversized/bulky furniture and large lighting items due to their large and to-order nature. Items found in our Special Offers collection are final sale and cannot be returned.
This return policy applies to website orders only, please contact us with questions about B2B returns.
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Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige, Off-white
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
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Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
Logan Flint
Logan is a modern interpretation of the classic wool bouclé. Woven from a luxurious cotton-wool blend, it offers a beautifully structured texture with an irresistibly soft feel. Its refined, understated palette enhances its timeless appeal, making it the perfect complement to any space.
1 2 3 4 5
Cal 117, C&M (BS5852-0/1)
45.000
5
4-5
Beige
66% Recycled Cotton, 15% Wool, 15% Acrylic, 4% Polyester
Yarn Collective
Colors:
MEET THE DESIGNER
Nick Ross
Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer studied industrial design at Gray’s School of Art in Aberdeen, -and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolling in fine arts Master’s program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centres on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural ‘curation’ can create situations where we are influenced to think in certain ways and feel certain things.” According to the designer, “My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.